|
|
Mundanity at the End of the City
Dvořák, Jakub ; Nikitinová, Alice (referee) ; Artamonov, Vasil (advisor)
The bachelor's thesis is part of a long-term built and developed cycle of paintings, in which I deal with the environment of the small-town periphery, or the small-town landscape in general. In the paintings I try to create an atmosphere on the aspects of mundaneness, everyday life and civility. I do not avoid a certain descriptiveness to express my message to the audience. In painting, I looked mainly at composition and color. My main goal is show to the viewers the image of a contemporary Czech small town.
|
|
|
Shapelessness
Conde, Tamara ; Kohoutková, Karolína (referee) ; Jamrichová, Kristína (advisor)
The main body of my diploma work is composed of several paintings of large formats. These paintings depict the fusion, invasion, and profound alteration of two bodies being mixed into one. The paintings contain chunks of interwoven bodies of fleshy caucasian tones, that of my own body and that of oyster mushrooms. These formats are not placed in rigid confines. Along with the large paintings, there are two small formats on wood that resemble morphed organs between the two main models. These two small formats on wood play a fixed role in contrast to the loose canvases. These illustrative works of art play hide and seek with an explanatory audio for whoever roams too long in the installation. The documentation of the thesis text focuses on the partial historical reevaluation of humanity's notions of hybridity in a scientific and cultural sense. The text is structured to define the etymological logic of the keywords used to characterize the project, the philosophical implications these words convey, and to follow the links that tie my project to scientific concepts that are creatively misused in contemporary artistic practice even among other artists. To sum up, the text is structured in such a way as to define the reason why shapelessness is the best word to describe the ambitions of my artwork.
|
|
|
The Festival of Wiener Schnitzels
Helán, Martin ; Mainer, Martin (referee) ; Rathouský, Luděk (advisor)
In my thesis I dealt with still life paintings with food. The main keyword of this work is banality. It is the irrelevance of some situations that I used as a motive to create a visually impressive moments. I painted a meal as a celebration of the banal and seemingly unspiritual things, like a gift from God, which is a part of our ordinary everyday life.
|
|
|
Mundanity at the End of the City
Dvořák, Jakub ; Nikitinová, Alice (referee) ; Artamonov, Vasil (advisor)
The bachelor's thesis is part of a long-term built and developed cycle of paintings, in which I deal with the environment of the small-town periphery, or the small-town landscape in general. In the paintings I try to create an atmosphere on the aspects of mundaneness, everyday life and civility. I do not avoid a certain descriptiveness to express my message to the audience. In painting, I looked mainly at composition and color. My main goal is show to the viewers the image of a contemporary Czech small town.
|
|
|
Shapelessness
Conde, Tamara ; Kohoutková, Karolína (referee) ; Jamrichová, Kristína (advisor)
The main body of my diploma work is composed of several paintings of large formats. These paintings depict the fusion, invasion, and profound alteration of two bodies being mixed into one. The paintings contain chunks of interwoven bodies of fleshy caucasian tones, that of my own body and that of oyster mushrooms. These formats are not placed in rigid confines. Along with the large paintings, there are two small formats on wood that resemble morphed organs between the two main models. These two small formats on wood play a fixed role in contrast to the loose canvases. These illustrative works of art play hide and seek with an explanatory audio for whoever roams too long in the installation. The documentation of the thesis text focuses on the partial historical reevaluation of humanity's notions of hybridity in a scientific and cultural sense. The text is structured to define the etymological logic of the keywords used to characterize the project, the philosophical implications these words convey, and to follow the links that tie my project to scientific concepts that are creatively misused in contemporary artistic practice even among other artists. To sum up, the text is structured in such a way as to define the reason why shapelessness is the best word to describe the ambitions of my artwork.
|
|
|
Still life
Svačinková, Alena ; Hůla, Zdenek (advisor) ; Uhl Skřivanová, Věra (referee)
The bachelor thesis deals with meaning of objects in our society. This thesis is divided into three parts - practical, didactic and pictorial part. The theoretical part examines an ordinary and necessary subject, subject as a bearer of meaning and a subject as a protective and ritual thing. I am simultaneously reffering to consumerism and sensitive understanding of the subject as a value in today's society. I compare the tools of the past with a mobile phone. The teoretical part is followed by the didactic part, which is composed of three artistic lectures I have given. Me and children discussed the following topics: Painted still life, Shop window and The box with my stuff. The pictorial part focuses on everyday objects. I have created the cycle of twelve still lifes. Each still life coresponds to one particular person, who is close to me, and symbolize their important things.
|
|
|
Everyday life of Russian-speaking students in the Czech Republic (based on in-depth interviews)
Chernyshova, Evgeniia ; Šalanda, Bohuslav (advisor) ; Marková, Alena (referee)
The topic of the thesis concerns the everyday life of Russian speaking students in the Czech Republic. Its aim is to capture certain features of the everyday life of Russian-speaking students in the Czech Republic. It consists of several chapters. The theoretical part is devoted to defining the key concept of "everyday life", its characteristics, a brief overview of selected books and theories related to this issue, as well as a description of basic theoretical bases in the sociology of everyday life. The historical part deals with the description of selected daily activities and focuses on the life of Russian speaking students in the territory of Czechoslovakia in the 1920s. century. The methodological part describes what qualitative research is, how the data and the actual course of research were obtained. The practical part deals with the results of the research.
|
|
|
Everyday life of Russian-speaking students in the Czech Republic (based on in-depth interviews)
Chernyshova, Evgeniia ; Šalanda, Bohuslav (advisor) ; Marková, Alena (referee)
The topic of the thesis concerns the everyday life of Russian speaking students in the Czech Republic. Its aim is to capture certain features of the everyday life of Russian-speaking students in the Czech Republic. It consists of several chapters. The theoretical part is devoted to defining the key concept of "everyday life", its characteristics, a brief overview of selected books and theories related to this issue, as well as a description of basic theoretical bases in the sociology of everyday life. The historical part deals with the description of selected daily activities and focuses on the life of Russian speaking students in the territory of Czechoslovakia in the 1920s. century. The methodological part describes what qualitative research is, how the data and the actual course of research were obtained. The practical part deals with the results of the research.
|
|
|
FRAGMENTS OF ORDINARINESS RESEARCHED FROMTHE VIEW OF SCENOGRAPHY AND SOUND
Fleková, Klára ; SMOLÍK, Robert (advisor) ; KRÁLOVÁ, Andrea (referee)
This thesis presents the staging of performance TAJENKA. It's preparation took place
from summer 2015 to summer 2016. The main theme is based on ordinary life, which author
feels she´s part of. The author shows how she has been collecting material to prepare her
first original production, and describes the whole procedure of the story creation. She
endeavours to offer a sufficient insight into the way of thinking about the topic, describes
how she has been evaulating the importance of individual fragments, and also the way she faced the work with sound engineers and directing, which ment a brand new experience for her. The thesis contains a description of all the phases of developement of the story, even those ways which were impossible, and justifies those obtions that were chosen. It offers insight into the artist's way of thinking and in the end this way is exposed to an evaulation, trying to reveal weaknesses, which are to be improved in future projects.
|
|
|
Still life
Svačinková, Alena ; Hůla, Zdenek (advisor) ; Uhl Skřivanová, Věra (referee)
The bachelor thesis deals with meaning of objects in our society. This thesis is divided into three parts - practical, didactic and pictorial part. The theoretical part examines an ordinary and necessary subject, subject as a bearer of meaning and a subject as a protective and ritual thing. I am simultaneously reffering to consumerism and sensitive understanding of the subject as a value in today's society. I compare the tools of the past with a mobile phone. The teoretical part is followed by the didactic part, which is composed of three artistic lectures I have given. Me and children discussed the following topics: Painted still life, Shop window and The box with my stuff. The pictorial part focuses on everyday objects. I have created the cycle of twelve still lifes. Each still life coresponds to one particular person, who is close to me, and symbolize their important things.
|
guest ::
